The Bamileke are a Grassfields people. They are the largest ethnic group in Cameroon and inhabit the country’s West Region. The Bamileke are regrouped under several groups, each under the guidance of a chief or fon. They speak a number of related languages from the Eastern Grassfield branch of the GrassField language family. These languages are closely related, however, and some classifications identify a Bamileke dialect continuum with seventeen or more dialects. The Bamileke people are known for their very striking and often intricately beaded masquerades, including the impressive elephant mask.

Organization
The Bamileke are organized under several chiefdom (or fondom). Of these, the fondoms of Bafang, Bafoussam, Bandjoun, Baham, Bangangté, Bawaju, Dschang, and Mbouda are the most prominent. The Bamileke also share much history and culture with the neighbouring fondoms of the Northwest region and notably the Lebialem region of the Southwest region, but the groups have been divided since their territories were split between the French and English in colonial times.

Political structure and agriculture

Statue of a chief at Bana
The Bamileke’s settlements follow a well-organized and structured pattern. Houses of family members are often grouped together, often surrounded by small fields. Men typically clear the fields, but it is largely women who work them. Most work is done with tools such as machetes and hoes. Staple crops include cocoyams, groundnuts and maize.

Bamileke settlement are organized as chiefdoms. The chief, or fon or fong is considered as the spiritual, political, judicial and military leader. The Chief is also considered as the ‘Father’ of the chiefdom. He thus has great respect from the population. The successor of the ‘Father’ is chosen among his children. The successor’s identity is typically kept secret until the fon’s death.

The fon has typically 9 ministers and several other advisers and councils. The ministers are in charge of the crowning of the new fon. The council of ministers, also known as the Council of Notables is called Kamveu. In addition, a “queen mother” or mafo was an important figure for some fons in the past. Below the fon and his advisers lie a number of ward heads, each responsible for a particular portion of the village. Some Bamileke groups also recognise sub-chiefs, or fonte.

Economic activities
Traditional homes are constructed by first erecting a raffia-pole frame into four square walls. Builders then stuff the resulting holes with grass and cover the whole building with mud. The thatched roof is typically shaped into a tall cone. Nowadays, however, this type of construction is mostly reserved for barns, storage buildings, and gathering places for various traditional secret societies. Instead, modern Bamileke homes are made of bricks of either sun-dried mud or of concrete. Roofs are of metal sheeting.

Religious beliefs
During the colonial period, parts of the Bamileke adopted Christianity. Some of them practice Islam toward the border with the Adamawa Tikar and the Bamun. The Bamileke have worn elephant mask for dance ceremonies or funerals.[citation needed]

Royal Tradition and the Arts
Masquerades are an integral part of Bamileke culture and expression. They are donned at special events such as funerals, important palace festivals and other royal ceremonies. The masks are performed by men and aim to support and enforce royal authority.[9]

The power of a Bamileke king, called a Fon, is often represented by the elephant, buffalo and leopard. Oral traditions proclaim that the Fon may transform into either an elephant or leopard whenever he chooses. An elephant mask, called a mbap mtengis a mask with protruding circular ears, a human like face, decorative panels on the front and back that hang down to the knee and are covered overall in beautiful geometric beadwork including much triangular imagery. Isosceles triangles are prevalent as they are the known symbol of the leopard.[10] Beadwork, shells, bronze and other precious embellishments on masks elevate the mask’s status.[9] On occasion, a Fon may permit members of the community to perform an elephant mask along with a leopard skin, indicating a statement of wealth, status and power being associated with this masquerade.[10]

Buffalo masks are also very popular and present at most functions throughout Grassland societies, including the Bamileke. They represent power, strength and bravery and may also be associated with the Fon.

Beadwork
Beadwork is an essential element of Bamileke Art and what distinguishes them from other regions of Africa. It is an art form that is highly personal in that no two pieces are alike and are often used in dazzling colors that catch the eye. They may be an indication of status based on what kinds of beads are used. Beadwork utilized all over on wooden sculptures is a technique that is unique only to the Cameroon grasslands.

Before they were colonized, popular beads were obtained from Sub-Saharan countries like Nigeria and were made of shells, nuts, wood, seeds, ceramic, ivory, animal bone and metal. Colonization and trade routes with other countries in Europe and the Middle East introduced brightly colored glass beads as well as pearls, coral and rare stones like emeralds. These came at a price, however. There were often agreements with these other countries to exchange these precious luxury commodities for slaves, gold, oil, ivory and some types of fine woods.[12]

Succession and kinship patterns

Bamileke tamtam
The Bamileke trace ancestry, inheritance and succession through the male line, and children belong to the fondom of their father. After a man’s death, all of his possessions typically go to a single, male heir. Polygamy (more specifically, polygyny) is practiced, and some important individuals may have literally hundreds of wives. Marriages typically involve a bride price to be paid to the bride’s family.

It is argued that the Bamileke inheritance customs contributed to their success in the modern world:

“Succession and inheritance rules are determined by the principle of patrilineal descent. According to custom, the eldest son is the probable heir, but a father may choose any one of his sons to succeed him. An heir takes his dead father’s name and inherits any titles held by the latter, including the right to membership in any societies to which he belonged. And, until the mid-1960s, when the law governing polygamy was changed, the heir also inherited his father’s wives–a considerable economic responsibility. The rights in land held by the deceased were conferred upon the heir subject to the approval of the chief, and, in the event of financial inheritance, the heir was not obliged to share this with other family members. The ramifications of this are significant. First, dispossessed family members were not automatically entitled to live off the wealth of the heir. Siblings who did not share in the inheritance were, therefore, strongly encouraged to make it on their own through individual initiative and by assuming responsibility for earning their livelihood. Second, this practice of individual responsibility in contrast to a system of strong family obligations prevented a drain on individual financial resources. Rather than spend all of the inheritance maintaining unproductive family members, the heir could, in the contemporary period, utilize his resources in more financially productive ways such as for savings and investment. […] Finally, the system of inheritance, along with the large-scale migration resulting from population density and land pressures, is one of the internal incentives that accounts for Bamileke success in the nontraditional world”.

Donald L. Horowitz also attributes the economic success of the Bamileke to their inheritance customs, arguing that it encouraged younger sons to seek their own living abroad. He wrote in Ethnic groups in conflict: “Primogeniture among the Bamileke and matrilineal inheritance among the Minangkabau of Indonesia have contributed powerfully to the propensity of males from both groups to migrate out of their home region in search of opportunity”.

Bamileke Author Prize Winner, 2020

Originally posted 2019-11-23 21:14:48.